Anyone who has walked Pittsburgh's diverse terrain--from its unique city steps and verdant urban parks, to its meandering alleys and historic cemeteries--knows that there is a certain kind of transformative effect that can take hold during a good long exploration on foot.
Art, mapping and mythology will converge on Friday, June 1st, when the exhibition
Ley Line opens at
Assemble. Co-curated by
Justin Hopper and Emily Walley, the interdisciplinary project aims to generate new opportunities for experiencing and thinking about the city's physical and mythological terrain.
Working as a creative team, participating artists examined a line of locations running through South Oakland, and then responded by creating multi-media artwork based on both the area's natural and built environments, and its history, memory and myth. Participants include painter Ashley Andrykovitch, artist, architect and Assemble gallery director Nina Marie Barbuto, music, dance and video performers David Bernabo and Host Skull, writer Justin Hopper, collage artist Anne Roecklein, photographer Lisa Toboz, and installation artist Emily Walley.
The show's theoretical framework is the concept of Ley lines--alleged alignments of geographical, man-made and historical sites, such as ancient monuments, megaliths, ridge-tops, gravesites, churches, footpaths, and water-fords--phenomena examined in 1921 by the amateur archaeologist Alfred Watkins. Watkins believed that such alignments were the "fingerprints remaining of once-sacred sites built and connected to create a network of ancient highways across the island."
In the 1960s, the concept became associated with spiritual and mystical theories about land forms.
Riffing on both the physical and the psychic underpinnings of ley lines, the show's curators invited artists to study a path that begins at St. Paul Cathedral on Fifth Ave. The imagined line continues through the former site of Forbes Field, runs past Andy Warhol's childhood home, and heads to a humble cliffside shrine to the Virgin Mary, before it drops down to the former Jones & Laughlin mill and spills into the Monongahela River. Throughout March and April, the team denoted, walked, examined, and discussed an imaginary line through South Oakland, both individually and collectively.
The physical response to this unique process represents a wide range of media, including paintings, installations, stop-motion videos, movement performances, photographs, text, and collages. Together, the body of work explores myth and memory, a sense of place, biodiversity, travel literature, spiritualism, local history, and the divide between Oakland's permanent and transient residents.
Don't miss the free opening reception on June 1st from 6 to 10 p.m., during
Unblurred.